With 2020’s Answer, ATEEZ established a precedent for releasing excellent material under the guise of an “epilogue” (or in today’s case, a “spin-off”). This December has been severely lacking in notable K-pop comebacks, so I’m excited to have a big-name track like this pushing us into the new year. With that said, my passion for … Continue reading
Much of today’s discussion around Boys Planet dissects this “signal song” to see which idols got roped into the Produce 101-esque survival series. Pentagon’s Hui is the name going around the internet. He seems much too established to participate in a show like this, but although platforms like Boys Planet are cruel and exploitative, they … Continue reading
WayV have often released the strongest music within the NCT universe, including standout singles like Turn Back Time, Take Off and Moonwalk. But, we haven’t had a proper WayV comeback in nearly two years. During that time, members have released solos and sub-units alongside their participation in larger NCT projects. New single Phantom picks up … Continue reading
Following a tradition first established in 2020, I’m celebrating the holidays today with the opening of gifts. These packages come in the form of seasonal K-pop tracks not yet reviewed on the blog. This year, the rules are simple. I’m either keeping the gifts or planning to return them. There’s a pretty fine line between … Continue reading
With a group as large as Seventeen, there’s ample opportunity for solo projects. No member has released an entire album yet, but many of the guys have delivered solo singles – whether in the form of a proper comeback or a digital mixtape. Despite taking the role of rapper on Seventeen’s group tracks, Vernon’s Black … Continue reading
I’ve been picking and choosing which holiday releases to write about this month. When it comes to offering criticism, it’s difficult to find new variations of “I guess the sleigh bells are nice?”. I plan to touch on the tracks I’ve neglected during a holiday wrap-up post on Christmas day, but before that we have … Continue reading
Last time I reviewed a NewJeans song, we were still basking in the glow of their surprise debut. Since then, tracks like Attention and Hype Boy have gone on to define the year. It’s rare to see a K-pop group rise to fame so quickly. I’m interested in how their future music leverages that fame, … Continue reading
So much about the holidays is rooted in nostalgia. These are ritualistic celebrations, and the most popular holiday songs are usually ones that have accumulated memories over the years. H.O.T’s Candy is not a holiday song, but it makes a weird sort of sense in this context. It’s an oft-covered classic with a ton of … Continue reading
Day two of SM Entertainment’s holiday advent calendar is upon us. After Red Velvet and aespa got the ball rolling yesterday, Super Junior are back with another seasonal track. Celebrate also acts as the title of their new mini album, billed as the second half of their eleventh full-length The Road. I can’t imagine grafting … Continue reading
Christmas songs. Lots of Christmas songs. That’s pretty much what December in K-pop entails – especially this year. Usually, the month will open with a few big-name releases before devolving into wintery fare, but I think the World Cup has pushed most new comebacks to next year. SM Entertainment seems particularly festive this December, blitzing … Continue reading
8LOOM is a fictional idol group starring in TBS’s fall drama “Kimi no Hana ni Naru” (“I Will Be Your Bloom”). I recommend watching if you like cheesy teen dramas with an idol group at the center (spoiler alert: I do). Though 8LOOM is a temporary project to promote the drama, they’ve been releasing music … Continue reading
With over 3,000 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I’m a little late in posting … Continue reading
HYBE’s first Japanese boy group releases their debut album this week. I wasn’t very impressed with &TEAM’s Under The Skin, though in hindsight I was probably a little hard on it. To me, the song felt too much like reheated leftovers from the agency’s other acts. But, the groovier teasers for Scent Of You seemed … Continue reading
One of the coolest things about RM’s Indigo album is that it’s essentially a collaboration project. All but two tracks prominently feature guest artists, and these guests have been plucked from many eras, cultures and countries. None feel extraneous or tacked on for purely commercial reasons. Unlike BTS’s recent slate of English-language department store bops, … Continue reading
The Boyz have had a packed 2022, but only a small fraction of the year was spent promoting a Korean comeback. To tide us over until the next release, they’re back with a special single on the anniversary of their 2017 debut. Yes, we’ve officially entered the month of fan songs and holiday fare. Last … Continue reading
Over the past eight years, SHINee have become known for their solo projects. Members like Taemin and Key developed entire sonic universes of their own. But up until now, Minho hadn’t released an album of his own. To call Chase (놓아줘) “long-awaited” feels like a huge understatement. Sure, he’s recorded a few one-off singles, but … Continue reading
Despite working in the industry for almost twenty-five (!) years, Shinhwa have never promoted an official sub-unit. That changes with the launch of WDJ. Consisting of members Minwoo, Dongwan and Junjin, WDJ’s debut album offers the first new Shinhwa music since 2018. Alongside Kara and Girls’ Generation, 2022 has been a big year for K-pop’s … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I’m so thrilled that Kara have … Continue reading
The Bias List // K-Pop Reviews & Discussion 