Over the course of their two-year career, Seven O’Clock’s music has been nearly as faceless as their group name. That’s not to say it’s all been bad. Their 2018 mini album was actually quite strong, with double title tracks that both deserved more hype than they received. But, the group suffers from an under-the-radar stature … Continue reading
Boy group Seven O’Clock released a truly underrated mini album last October, led by a pair of equally strong title tracks. Unfortunately, the group’s work seems under-funded and under-promoted, making it hard for them to stand out in the competitive K-pop market. Given these circumstances, I’m not sure if they’ll ever break out in a … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. October 2018 Overall Thoughts October was like one of those Halloween horror movies with a twist … Continue reading
Nothing Better may be the main title track from Seven O’Clock’s new mini album, but it turns out that there is something better to be found in the form of Searchlight. I’m not sure if the guys will be actively promoting this song as a sub-title track, but it was smart to give it some … Continue reading
Over a year ago, I ended my review of Seven O’Clock’s debut single Echo with a question: how was this rookie group going to stand out? The answer may lie in their new album’s opening track Take It On, which melds an anthemic vocal riff to chugging guitar for a classic (almost country) pop sound … Continue reading
It must be a tricky choice when deciding how to debut a new group from a small agency. Without name recognition or pre-debut hype, a rookie’s success lies solely on how their first several tracks are received by the public. So do you try something out-of-the-box in hopes to appeal to Korea’s fickle taste? Or, do you … Continue reading
