The day has finally come. Snuper have released enough singles to warrant a top ten list! It’s disappointing that the song to put them over the top is the supremely underwhelming Tulips, but I’m happy to say that the top four entries on this countdown are near-perfect, A+ examples of k-pop. If you haven’t checked out … Continue reading
The fact that I’ve been able to compile a top ten list for LOONA before their actual debut is a testament to just how ambitious their roll-out has been. Over the course of eighteen months, each member of the group has been unveiled via solo and unit tracks. There are over twenty songs to choose … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. Coach & … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. March 2018 Overall Thoughts Well, March certainly didn’t pan out the way I had expected. If … Continue reading
I often complain about trends while in the midst of them, mostly because I prefer k-pop to draw from a wide variety of influences rather than use a copy-and-paste template. But looking back at the industry’s history, trends are an interesting way to summarize a year or era. I thought it would be fun to … Continue reading
I think most of us could agree that — at least so far — 2018 has seen a certain amount of renewed attention given to strong choruses. As the EDM build/drop structure has begun to (slowly) wane in popularity, we’re seeing more melody take its place. Yet, many of my recent song reviews could be … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. Joombas Music … Continue reading
We’re just over two months in to this new year, and though February proved to be something of a non-starter, I’m feeling very optimistic about what 2018 is going to bring in terms of k-pop. I feel like I spent much of 2017 (and some of 2016) railing against Westernized trends that seemed to have … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. February 2018 Overall Thoughts When it comes to k-pop, I was dreading February. Between the Pyeongchang … Continue reading
Twice debuted just over three years ago, but their unparalleled success has been buoyed a work ethic that’s driven a steady stream of singles. Though their Japanese releases leave something to be desired, their robust Korean catalog has largely been a ton of fun. Here are their best: Updated 2-4-19 10. Signal (2017) Signal‘s incessant bass … Continue reading
Now that the top eighteen idols have been crowned and Units B and G are finalized, it’s the perfect time for a retrospective on survival show The Unit’s hefty discography of songs. Like similar series before it, the show spawned a number of digital singles — from full group anthems to competitive sub-unit standouts. With … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. FRANTS Years … Continue reading
Since their debut in 2014, Halo have been one of k-pop’s most underrated groups. But with their new Japanese single released last month, they’ve delivered just enough singles to qualify for a top ten countdown. Just like any artist with a relatively slim catalog, when I’m talking about their ten best singles, I’m literally talking … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. BreadBeat Years … Continue reading
In the months since its conclusion, season two of Produce 101 has dramatically altered the k-pop landscape — at least when it comes to boy groups. Its reach extends to so many corners of the industry that it can be difficult to keep up with it all. That’s where this handy guide comes in, as … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. January 2018 Overall Thoughts It’s a brand new year, which means all possibilities are on the … Continue reading
Super Junior is home to many solo and sub-unit projects, but none has been quite as enduring as D&E. Composed of members Donghae and Eunhyuk, the duo has crafted an impressive discography of their own and enjoyed massive success in Japan. It’s worth mentioning that I didn’t consider the brilliantly bonkers Can You Feel It … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. Bumzu Years … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. December 2017 Overall Thoughts 2017 certainly ended with a whimper. December is usually a pretty barren month, … Continue reading
MBC’s Gayo Daejejun had the best theme of the three end-of-year specials, and as usual it had the most stacked line-up. But I can’t help but feel like it lacked the kind of watercooler moments that make these specials so thrilling. The idea of pairing idol groups with fans resulted in some really endearing performances. … Continue reading
The Bias List // K-Pop Reviews & Discussion 