Following in the footsteps of agency seniors Mamamoo, Purple Kiss preceded their official debut with several pre-releases. My Heart Skip A Beat and Can We Talk Again were polar opposites in sound and style, but both carried a mood that pointed towards a darker, edgier sound for the girls. Debut single Ponzona delivers on this … Continue reading
After a jolt of renewed interest from their stint on Road to Kingdom, Pentagon now face the tricky business of military enlistments. Jinho and Hui have already taken their enlistment hiatus, though the latter appears in new single Do Or Not’s audio and music video. In a way, that makes the track feel like the … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! September … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. It wasn’t GHOST9’s debut single that … Continue reading
Back in the fall of 2018, BLACKPINK’s Jennie released her debut solo track, aptly titled… Solo. Unless I’m remembering things incorrectly, this was meant to be the first in a series of releases from the group’s individual members. Over two years later, the project finally resumes with the debut of Rosé’s On The Ground. A … Continue reading
I swear, there was a time when the idea of “K-pop boy group” didn’t instantly conjure up images of dimly-lit “bad” boys. Or, maybe I’m just looking at the past with rose-colored glasses. After all, Bigbang are one of my all-time favorite idol groups, and they practically built a career on posturing! But the songs … Continue reading
Rookie group GHOST9 have blitzed the market with music since their September debut. Three mini albums in less than seven months is quite a feat, and will hopefully give them a foothold within the ever-competitive idol landscape. Their previous two releases were billed as “Pre Episodes,” positioning this new one as the main course. As … Continue reading
Rain’s new album is primarily composed of collaborations, though the line distribution varies depending on the track. When the songs were first released, I saw many listeners raving about Magnetic — his duet with GOT7’s Jackson Wang. And Rain must agree with the praise, because the track now has a music video. I’m not sure … Continue reading
NCT’s WayV have arguably been the most consistent unit over the past few years, and for my money they released the best NCT-related material in 2020. Of course, this only sets expectations high, giving new single Kick Back (秘境) plenty to live up to. And while I don’t think the song is as strong as … Continue reading
Girl group Majors is a semi-rebranding of the short-lived ANS. Their company is confidently calling this debut “the beginning of legend,” which is all well and good until you misspell “biginning” on the album artwork. Oops! (edit: the agency fixed it after this review was published) But, those kind of quirks are a fun hallmark … Continue reading
Brand New Music’s BDC kicked off their “Intersection” series last September with the synth-fueled Shoot The Moon. That song ended up being a big grower, and I loved its sci-fi concept and immense electronic anchor. Thankfully, new single Moon Rider continues this aesthetic and kicks up the tempo. This results in a song that’s just … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! August … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I don’t know why, but I … Continue reading
Girl group G-reyish has been around for nearly four years now, and it’s always a pleasant surprise when they pop up with a new comeback. We don’t get to hear from them often. In fact, we didn’t hear from them at all in 2020. At its best, their music conjures memories of the fun, retro … Continue reading
This whole “Universe app” business makes it tricky to decide whether or not to review a song! Park Jihoon and Lee Hi’s Call U Up is the latest track to be released through the platform, which means its music video is inaccessible for embedding here. In fact, I haven’t even seen it yet. We’ll have … Continue reading
Barring a few exceptions, MCND’s music tends to take awhile to grow on me. What initially feels loud and obnoxious becomes a total earworm over time. This happened with both Ice Age and Crush. I find that it also helps to watch the guys perform the songs. They have such gleeful stage presence that it’s … Continue reading
iKON will soon be participating in MNET’s Kingdom series – the second most senior act to do so. It’s hard to believe these guys debuted almost six years ago. A pair of long hiatuses have made their career arc feel both shorter and longer than it is, and I’m hoping that Kingdom can garner them … Continue reading
Once buoyed by the bright energy of rookiedom, VERIVERY have since taken a darker musical path, abandoning their funky new jack swing roots for edgier concepts. I blame it on that creepy game of hide-and-seek they played during the Tag Tag Tag summer of 2019. Something weird happened in that dusty old house. Tsk tsk … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Okay, this just makes me mad. … Continue reading
After the unexpected viral success of Gang, Rain has reaffirmed his musical legacy by collaborating with the right people. First up was the summer smash Beach Again, performed alongside Lee Hyori and Yoo Jaesuk. Then, he paired with longtime mentor Park Jinyoung for the addictive new jack swing of Switch To Me. And on the … Continue reading
The Bias List // K-Pop Reviews & Discussion 