I’ve been picking and choosing which holiday releases to write about this month. When it comes to offering criticism, it’s difficult to find new variations of “I guess the sleigh bells are nice?”. I plan to touch on the tracks I’ve neglected during a holiday wrap-up post on Christmas day, but before that we have … Continue reading
Day two of SM Entertainment’s holiday advent calendar is upon us. After Red Velvet and aespa got the ball rolling yesterday, Super Junior are back with another seasonal track. Celebrate also acts as the title of their new mini album, billed as the second half of their eleventh full-length The Road. I can’t imagine grafting … Continue reading
Christmas songs. Lots of Christmas songs. That’s pretty much what December in K-pop entails – especially this year. Usually, the month will open with a few big-name releases before devolving into wintery fare, but I think the World Cup has pushed most new comebacks to next year. SM Entertainment seems particularly festive this December, blitzing … Continue reading
The Boyz have had a packed 2022, but only a small fraction of the year was spent promoting a Korean comeback. To tide us over until the next release, they’re back with a special single on the anniversary of their 2017 debut. Yes, we’ve officially entered the month of fan songs and holiday fare. Last … Continue reading
This summer, we were all punked when ITZY’s bold, fashionable teasers culminated in a song about… putting your sneakers on. The lead-up to that comeback played out like some grand meta joke, but the song itself had its charms (as silly as they were). New track Cheshire arrives on the heels of the group’s English-language … Continue reading
ATEEZ may have only made one Korean comeback this year, but they’ve been more prolific in Japan. Following May’s release of b-side-turned-single Rocky, they’re back with Paradigm. This song leads re-recorded Japanese versions of tracks from their recent The World Ep.1: Movement mini album. I’d be remiss not to mention the huge missed opportunity in … Continue reading
When evaluating FNC Entertainment a few days ago, I noted P1Harmony as one of the agency’s bright spots. This is largely due to their robust promotion in the States. They seem to be targeting an international audience and this work has paid off. The heavy hip-hop influence in their music feels authentic and welcoming to … Continue reading
After leaving TOP Media (but not Teen Top), Niel has returned with a new album after a solo hiatus that lasted nearly six years. For younger listeners unfamiliar with Teen Top, I urge you to check out classics like Rocking, I Wanna Love, ah-ah, No More Perfume On You, Love Is and To You. You’ll … Continue reading
This year’s leg of Red Velvet’s ReVe Festival has taken a classical detour, melding well-known orchestral samples with the group’s quirky style. This sounds good on paper, and resulted in a solid hit with March’s Feel My Rhythm. But, the approach tends to leave me cold. I get what they’re trying to do, but the … Continue reading
K-pop tropes continue their unrelenting push into the Japanese market with the debut of &TEAM. They’re the latest in this new iteration of the Hallyu Wave, where K-pop agencies localize their sounds with members from the target country. This way, you get the infrastructure and popularity of a label like HYBE, but the group can … Continue reading
K-pop has seen a glut of debuts over the past few weeks, and Aimers is another name to add to the pack. You might remember a couple of these guys from the short-lived Spectrum, who released a great pre-chorus in 2018. Given their group name, I’d hope Aimers are aiming for something new and exciting. … Continue reading
Is it just me, or has there been an inordinate amount of girl group debuts this year? They just keep on coming, making it harder to distinguish individual styles and concepts. In the grand scheme of things, Artbeat already have a leg up with their cool group name. Adding “art” to their moniker has to … Continue reading
Victon are back as a five-member group. Leader Seungwoo is finishing up his military service, while Heochan left the group earlier this year after a DUI. The guys have had a rough go of it, and the style of their music has tended to change with the times. Virus sees them embracing both elegant synth … Continue reading
I’ll make a potentially unpopular confession: I’m just not a fan of Chen’s solo material. Given his status as a balladeer, the headwaters were always going to be against him. I don’t have much space in my music library for soft ballads. But, I love his voice and there are quite a few EXO ballads … Continue reading
VERIVERY are emblematic of a common boy group trajectory. They debuted with a fun New Jack Swing-inspired sound. This set them apart from their peers, even if it didn’t lead to extraordinary sales. Then, they got swept up in Road to Kingdom and re-emerged as one of many boy groups peddling darker, angsty sounds. These … Continue reading
One of this K-pop generation’s biggest mysteries is how Oh My Girl went from being a leading girl group to an act that barely gets promoted anymore. WM Entertainment has really dropped the ball with this one, and that fumble has extended to their musical choices. This spring’s Real Love was a breezy little bop, … Continue reading
The strong series of b-sides that framed LE SSERAFIM’s debut Fearless helped make that song a big grower. In contrast, nothing outside of title track Antifragile really struck me from their newest album. I would’ve loved to see a music video for songs like Blue Flame or The Great Mermaid, but HYBE decided to save … Continue reading
Fresh off her win on American Song Competition (a phrase I never thought I’d write on this blog…), AleXa is back with the release of her first mini album. While she debuted with a cool sci-fi concept, her music has gradually explored new avenues. None of the songs have really clicked me, and her ASC … Continue reading
Is it too early to hear the influence of NewJeans and LE SSERAFIM in other girl groups? Now that “girl crush” seems to have faded a bit, it feels like their subdued – almost aloof – sounds are the next stage in girl group trends. ICHILLIN’s Draw (My Time) is an interesting hybrid of the … Continue reading
Seventeen’s Japanese discography has been a mixed bag, opening with the incredible Call Call Call in 2018 and never quite matching that energy. Many of their J-pop songs trend toward the lyrical, opting for dreamy soundscapes and subdued tempos. New single Dream may be their most reserved track yet. I’d go as far as calling … Continue reading
The Bias List // K-Pop Reviews & Discussion 