One song. Every day. Alphabetical order. Keep up with Infinite’s A-Z reviews here! Can U Smile (from Evolution – 2011) Released in two versions, the original’s scuttle of bright synth set the perfect backdrop for this catchy update to the classic boy band sound. Can U Smile’s melody plays like a ballad, but the song … Continue reading
One song. Every day. Alphabetical order. Keep up with Infinite’s A-Z reviews here! BTD (Before The Dawn) (from Evolution – 2011) After the lightness of Come Back Again and She’s Back, Sweetune took Infinite down a darker, more aggressively produced route with the bombastic BTD. The song’s opening synth klaxon is among the group’s most iconic … Continue reading
One song. Every day. Alphabetical order. Keep up with Infinite’s A-Z reviews here! Breathe (from Season 2 / Back – 2014) Following more ornate moments on Infinite’s sonically ambitious Season 2/Back album, Breathe offers a shot of pure dance pop bliss. Its rock-guitar infused instrumental feels streamlined and animated, never once letting up. The song has … Continue reading
One song. Every day. Alphabetical order. Keep up with Infinite’s A-Z reviews here! Between Me and You (from Reality – 2015) In the running for Infinite’s best ballad, the rock-tinged Between Me and You is one of the strongest vocal showcases in the group’s entire discography. Growing from an organ-like synth, the opening verse builds tension … Continue reading
One song. Every day. Alphabetical order. Keep up with Infinite’s A-Z reviews here! Because (Sungkyu solo) (from Over The Top / Paradise – 2011) Before he released his first (excellent) solo material, Sungkyu took the reigns of Because from Infinite’s first full album. The song opens in theatrical fashion, as a militaristic drum line supports … Continue reading
One song. Every day. Alphabetical order. Keep up with Infinite’s A-Z reviews here! Beautiful (from New Challenge – 2013) Written by main vocal Woohyun, Beautiful doesn’t skimp on the cheese. But by taking its cues from bombastic 80’s balladry, the song’s more generic leanings are bolstered by a sense of grandiosity that transforms the whole … Continue reading
One song. Every day. Alphabetical order. Keep up with Infinite’s A-Z reviews here! Be Mine (from Over The Top / Paradise – 2011) What to say about one of modern k-pop’s most iconic songs? Be Mine is a perfect encapsulation of Sweetune’s synth-driven 80’s sound — so flawlessly written that it feels disarmingly simple, as … Continue reading
One song. Every day. Alphabetical order. Keep up with Infinite’s A-Z reviews here! Bad (from Reality – 2015) Though its simple chant of a chorus was initially disappointing for a group who had made their name on the strength of such indelible melodies, Bad’s hip-hop inspired arrangement is bolstered by the symphonic grandiosity that drives … Continue reading
One song. Every day. Alphabetical order. Keep up with Infinite’s A-Z reviews here! Back (from Back – 2014) Infinite had worked with producers Rphabet before on 2013’s Destiny, but Back truly solidified their partnership. It’s one of the group’s most dynamic songs, growing from somber, dramatic balladry to the explosive orchestral electronics that drive its chorus. … Continue reading
One song. Every day. Alphabetical order. Keep up with Infinite’s A-Z reviews here! As Good As It Gets (from New Challenge – 2013) Sweetune had been working with Infinite for years before As Good As It Gets was recorded, and by this time the production team had full mastery of how to utilize the guys’ … Continue reading
One song. Every day. Alphabetical order. Keep up with Infinite’s A-Z reviews here! An Inconvenient Truth (from New Challenge – 2013) Long before the tropical trend hit maximum impact, An Inconvenient Truth’s bright synths brought an island sound to k-pop. Though the song’s lyrics have been derided by many, there’s no denying the strength of its … Continue reading
One song. Every day. Alphabetical order. Keep up with Infinite’s A-Z reviews here! Amazing (from Over The Top / Paradise – 2011) Though their bread and butter lies in propulsive dance tracks, Infinite tackles soft rock better than almost any other k-pop group. Buoyed by Sweetune’s lush production, Amazing layers the group’s vocals to tremendous effect. … Continue reading
One song. Every day. Alphabetical order. Keep up with Infinite’s A-Z reviews here! Alone (Infinite H) (from Season 2 / Back – 2014) Infinite H had already proven themselves as a credible hip-hop unit by the time Alone rolled around, but by focusing solely on Hoya and Dongwoo without the addition of a guest vocalist, … Continue reading
One song. Every day. Alphabetical order. Keep up with Infinite’s A-Z reviews here! After Dark (from Air – 2017) Driven by a funk-infused bass guitar, After Dark almost feels more like something a group like Shinee would release. On the whole, it’s more rhythmic than a lot of Infinite’s music, but the song never quite … Continue reading
One song. Every day. Alphabetical order. Keep up with Infinite’s A-Z reviews here! A Person Like Me (from Season 2 / Back – 2014) Infinite have a real knack for sentimental ballads, partly because they possess such a range of vocal tones. This helps lend even the most generic sentimentality much needed texture. A Person … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Groups with a large number of members are nothing new … Continue reading
The debut of Woollim’s new boy group has been rumored for well over a year, increasing expectations for what Golden Child may sound like. And from a personal perspective, the guys are the successors to my ultimate bias, Infinite. This runs the risk of inviting a host of unwarranted comparisons, but DamDaDi (담다디) sounds nothing … Continue reading
Regardless of how you feel about Lovelyz‘ music, they’ve been able to carve out their own sound within the girl group landscape. More often than not their material pulls in the lighthearted, cutesy elements that so many other acts have ridden to fame, but its all within a distinctly synth-heavy framework that has a hazy, almost … Continue reading
Though k-pop rises or falls on the strength of its singles, a group’s real strengths can often be found in the lesser-known material that makes up their mini albums and full lengths. The definition of “album” in k-pop is so wide that I’ve got to lay down some ground rules before composing any sort of … Continue reading
Debuting in 2014 as Woollim Entertainment’s first girl group, Lovelyz quickly rose to fame on their quirky synth-pop sound. Though they’re most known for a light, cutesy image, their music has experimented with different tones as the group has matured. With only eight full-group promotional releases, I had to cheat a bit and add two … Continue reading
The Bias List // K-Pop Reviews & Discussion 