Last year, I marked the halfway point of 2016 by looking at some tracks that had either grown better or worse with time. This year, I’m a little late — but better late than never! As with 2016, the vast majority of my reviews still reflect my thoughts about a song, but sometimes it’s impossible … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. April 2017 Overall Thoughts 2017 continues to fall behind when compared to last year. Though it was easy … Continue reading
They may not have hit quite the same level of success as some of their 2015-debuted peers, but Oh My Girl has consistently released interesting — at times challenging — pop music. In a genre known for its adherence to trends, a little bit of experimentation is never a bad thing. K-pop is at its … Continue reading
Wrapping up the end of year countdowns, it’s time to delve deeper into the albums 2016 gave us. Among hundreds and hundreds of tracks released this year (and last December!), here are forty of the absolute best. PART ONE HERE + Make sure to check out the rest of the year-end countdowns here! 20. UP10TION – STUCK … Continue reading
Wrapping up the end of year countdowns, it’s time to delve deeper into the albums 2016 gave us. Among hundreds and hundreds of tracks released this year (and last December!), here are forty of the absolute best. + Make sure to check out the rest of the year-end countdowns here! 40. OH MY GIRL – KNOCK KNOCK … Continue reading
Now that we’ve taken a look at this year’s best debuts, it’s time to count down the ten artists who really defined 2016. This list’s criteria is about 75% musical quality/personal taste and 25% influence on the k-pop industry. Since rookies have their own list, they’re ineligible for this particular countdown. + Make sure to check … Continue reading
In k-pop, music videos are nearly as important as the songs themselves. It’s become such a visual genre, regularly churning out glossy videos that look much more expensive than they are. Without focusing too much on the actual song (though it’s impossible to fully separate the two), here were the top ten visual moments of … Continue reading
An idol group is nothing without their actual music, and that music doesn’t come to life on its own. K-pop producers and composers shape a year’s sound more than anybody else, and in 2016 there were five that stood out as being particularly energizing. + Make sure to check out the rest of the year-end … Continue reading
Now that we’ve taken a look at the best songs of the year, it’s time to dive deeper into the albums. K-pop is infamous for its diverse definition of what an “album” is, but my criteria for this countdown was that the project had to consist of at least five tracks to be eligible, though … Continue reading
The end of the year countdowns are here! We’re starting things off with the big one… the top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. Unlike last year, j-pop releases will be placed in their own countdown, … Continue reading
The month of Christmas releases is nearly upon us. Kicking things off a bit early is reggae artist and tv personality HaHa, working with up-and-coming girl group Oh My Girl. The two acts previously collaborated back in August with the special single A-ing. Apparently, they enjoyed the pairing so much that they decided to revisit it … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. JINYOUNG Years … Continue reading
At the end of each month, I’ll look back at my three favorite title tracks by k-pop artists. Unlike my end-of-year countdowns, jpop and Japanese releases by kpop artists are ineligible, though I will give the great ones a spotlight. For my top three tracks, I’ll take my own ratings into account, but there is a … Continue reading
WM Entertainment’s Oh My Girl just won’t stop this year, releasing comeback after comeback. This isn’t a complaint (after all, they should be doing this as a rookie group), but I do wish their label-mates B1A4 were given the chance to finally release that new album they’ve been promising us. Even though it hasn’t been … Continue reading
After taking a look at the songs, it’s time to turn to the albums of 2016. As much as I love a good single, it can only be improved by being part of an excellent album. Last year saw Wonder Girls, Infinite, B1A4 and Shinee releasing my favorite collections. This year, the boy groups have … Continue reading
At the end of each month, I’ll look back at my three favorite title tracks by k-pop artists. Unlike my end-of-year countdowns, jpop and Japanese releases by kpop artists are ineligible, though I will give the great ones a spotlight. For my top three tracks, I’ll take my own ratings into account, but there is a … Continue reading
Oh My Girl continue to move from strength to strength, offering more invention and excitement within their kpop concoctions than almost any other group so far this year. As of May, their Pink Ocean album is my favorite girl group mini of 2016, and the inclusion of Windy Day only makes it stronger. It’s worth … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-sides and album tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Oh My Girl’s entire Liar Liar mini is … Continue reading
At the end of each month, I’ll look back at my three favorite title tracks by k-pop artists. Unlike my end-of-year countdowns, jpop and Japanese releases by kpop artists are ineligible, though I will give the great ones a spotlight. For my top three tracks, I’ll take my own ratings into account, but there is a … Continue reading
A few weeks ago, I named Oh My Girl the most underrated female rookie group in kpop, and with Liar Liar, they continue to show why they earned that title. Combining the offbeat pop sensibility of debut track Cupid with the melodic heft of last fall’s Closer, they’ve found a nice mix that defines their … Continue reading
The Bias List // K-Pop Reviews & Discussion 