I don’t think I’ve written about N.O.M before, though I’ve made sure to check out all their releases. My overall impression is that this group could do with a bigger budget and songs that come across as less gimmicky. I think they could craft some really cool stuff within the niche they’re carving out for … Continue reading
The Universe platform continues to blast youtube with half-videos, saving its full pleasures for those who download the app. So far, I haven’t found a song worth treading those waters, but CIX’s Tesseract arrives with some serious name recognition behind it. Pentagon’s Hui co-produced the track, and his name is featured prominently in the promotion. … Continue reading
In a surprise release, city pop chanteuse Yukika has paired with Canadian DJ/producer Pat Lok for The Moment (그라데이션). Up to this point, Yukika’s music has captured a specific vibe very well. Even when the songs threaten to become too subdued for their own good, I always appreciate their sense of musical continuity. The Moment … Continue reading
Like many newly-debuted groups, Just B boasts a line-up of familiar faces. Its members have established some notoriety through variety programs I-LAND (Geonu, JM), Under 19 (Bain, DY) and The Fan (Lim Jimin). Given this built-in fan base, their debut arrives with heightened expectation. And with word that title track Damage would be co-produced by … Continue reading
BDC’s Intersection trilogy may have flown under the radar for many casual fans, but it’s been an exciting, cohesive project with far more focus than most idol group album series. Its spacey synth sound was largely relegated to the guys’ title tracks, and this feels like a missed opportunity. But, the run of Shoot The … Continue reading
Twice’s Japanese output has been a mixed bag, representing some of their strongest and weakest material. But, no one can argue with the group’s prolific work ethic. In addition to their nonstop Korean output, the girls will have released three full Japanese albums by the time Perfect World comes out in July. This newest album’s … Continue reading
Following the strong double punch of Don’t Call Me and Atlantis, SHINee refuse to release their grip on 2021. Prior to youngest member Taemin’s military enlistment, the guys shot a video for new Japanese single Superstar. The song itself has been available for weeks, but its promotional package is now complete. And while it may … Continue reading
NCT Dream’s Hot Sauce had an interesting trajectory for me. On first listen, I was repulsed. That chanted chorus felt like a jackhammer to the skull. Then, something switched, and I found myself bopping along. The instrumental’s percussion and guitar became highlights and I was happy to embrace Dream’s aural madness. That lasted about a … Continue reading
A.C.E may not come back very often, but they’ve managed to place a song in my year-end top ten for two years running. ‘Quality over quantity’ is not a bad approach, and they’ve been wise to stick with the same circle of producers to ensure a cohesive discography. Higher is their latest release with composer … Continue reading
Nissy has released a string of singles this year, forging a cinematic universe with a series of music videos that see him teleporting from place to place. This teleportation power seems to be fueled by angst, as there’s plenty of emotive navel-gazing to be found in the visuals. The video for new single Do Do … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Yep, it’s another Produce 101 Japan … Continue reading
Apart from their ‘girl in a mask’ gimmick, not much about Pink Fantasy’s discography has remained consistent. Their music swings pretty wildly between sounds, though a creepy sense of unease ties everything together. Still, I think the group hit the sweet spot with 2019’s rock-fueled Fantasy. It’s a shame that follow-up singles jettisoned this style … Continue reading
**This post has been updated with the official music video now that the song is being promoted as a follow-up single!** After a drought of strong K-pop albums, this week has delivered a host of great b-sides. As much as I love a knockout comeback track, an equally-great album makes the whole experience so much … Continue reading
After the massive success of Rollin, Brave Brothers had a singular goal for Brave Girls: make them the new Queens of K-Pop Summer. And honestly, it’s about time! Ever since Sistar left the throne vacant, no group has made a convincing bid to take the crown. Yes, there have been individual tracks that dominated the … Continue reading
Lucy were my biggest personal K-pop discovery last year. I usually prefer K-pop’s more dance-oriented material since it seems most different to the pop music I grew up with, but Lucy are the perfect idol band package. They’ve got incredible vocals, excellent songwriting, an unusual instrument (in this case, a violin), and an endearing ‘never-take-ourselves-too-seriously’ … Continue reading
While I’ve never counted UP10TION among my personal favorite idol groups, they’ve elbowed their way into my year-end top ten list a couple of times. Their singles tend to be hit or miss — but when they hit, they hit big. Funny enough, Spin Off encapsulates this contrast into one song. It boasts many excellent … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I’ve been watching season two of … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. In a surprising turn of events, … Continue reading
Back on release day, I mentioned how TXT’s 0X1=LOVESONG could “go either way” when it came to longevity. I’m happy to say the song has grown more addictive over the past two weeks – so much that it probably deserves a retroactive spot within my top three songs of May. Follow-up track Magic is also … Continue reading
Like so many debuts, Cube Entertainment’s LIGHTSUM includes members already familiar through survival series like Produce 48 and The Unit. But in K-pop’s overcrowded market, it takes more than familiarity to guarantee success. And with agency-mates (G)I-DLE as popular as ever, it’s important that LIGHTSUM’s music doesn’t overlap too much. Despite its uninspiring title, Vanilla … Continue reading
The Bias List // K-Pop Reviews & Discussion 