Having vaulted to the a-list only a few months after debut, IVE have entered an early ‘imperial phase’ where anything they touch is all-but guaranteed to be a hit. This kind of instant success can lead to quick stagnation, but the group has a great track record so far. Both Eleven and Love Dive have … Continue reading
Compared to earlier eras, it’s been a dry few years for new music from Kis-My-Ft2. Their latest singles have trended toward balladry – often themes to romance-focused dramas. That’s all well and good (frankly, I’ll take whatever they want to give us), but I’ve been hoping for more upbeat material. After all, age and experience … Continue reading
These Universe releases just keep on coming! Once upon a time, I thought this might be some limited series and I’d be able to fudge my way through a handful of fun carnival game-esque “reviews” and call it a day. Almost two years later and I guess the joke’s on me… Anyway… we haven’t done … Continue reading
It feels momentous every time I write the elusive words “BLACKPINK are back.” They return so infrequently. The last time we had an honest-to-goodness comeback, we were still mired in year one of the Covid pandemic. We didn’t even have a vaccine yet! Lovesick Girls was a great return to form for the group, hearkening … Continue reading
With so many members and diverse talents as part of the NCT universe, I’m surprised we haven’t seen solo releases every other week. “NCT Lab” – a spin-off of the long-running SM Station project – was established for this exact reason. But after two releases back in February and March, the lab took a hiatus … Continue reading
Rookie group Luminous has compiled an inconsistent discography so far. They debuted with the fantastic hip-hop track Run last year, but followed it with the less-than-fantastic All Eyes Down. Now they’re back with a full album, which is highly unusual from a rookie of their stature. Better yet, they’ve enlisted the great G-High to compose … Continue reading
In 2020, Lucy emerged as one of K-pop’s most exciting and endearing bands. Last summer’s Gatcha! mini album felt like a crystallization of that potential – an all killer, no filler collection of songs that pushed their sound forward without losing the quirks unique to their musical perspective. Ever since then, I’ve become a bit … Continue reading
A few days ago, BAE173’s debut single Crush On U came on random shuffle. I forgot what a jam that song is. But more than anything, it made me marvel at how much the group’s sound has changed since 2020. With member Nam Dohyun now in charge of production, the guys have moved sharply into … Continue reading
Whatever happens, CRAXY will always have one of K-pop’s most brilliantly bonkers debut songs in 2020’s Aria. That ambition has woven throughout their career, even if the music itself has become more typically 4th-gen K-pop in its execution. For their third mini album, the group has turned to production team D_answer, most well-known for their … Continue reading
Oh, The Boyz. There isn’t a current K-pop act that frustrates me more. I love this group. They have so much potential and heaps of global popularity. Yet ever since the brilliant The Stealer, they’ve been stuck in the opposite of an “imperial phase.” It feels all-but impossible for them to release a killer title … Continue reading
With the release of their new special album, ONF have rewritten the rules for how boy groups handle military enlistment. I’m no expert, but I thought idol groups weren’t able to release music during enlistment because of laws related to wages and income. However, WM Entertainment had the foresight to record and prepare this material … Continue reading
It just occurred to me that it’s been nearly four (!) years since TVXQ had a proper Korean comeback. Yes, they’ve been active as soloists and have released multiple albums in Japan during this time, but that’s still a long gap for a veteran act with an enormous, enduring fanbase. For now, those of us … Continue reading
At this point on the idol side of the J-pop industry, an entire ecosystem of new groups have emerged, spawned from audition series and heavily indebted to K-pop tropes. K-pop and J-pop have often existed in conversation, with the former borrowing from the latter during many points across the past twenty years. But, K-pop’s ability … Continue reading
JUNNY isn’t the type of artist I feature often on The Bias List. His work leans closer to the indie side of the K-pop industry, though the music itself sits comfortably alongside idol group fare. I somehow missed his great duet with Chungha back in June (you can thank Golden Child’s San Jose concert for … Continue reading
It’s ‘Golden Child comeback’ time again, which means a track-by-track review of their new mini album, Aura! Check back each day of the week as I make my way through the five new songs. 1. Aura (Intro) // 2. Replay // 3. Knocking On My Door // 4. 3! 6! 5! // 5. Purpose // … Continue reading
Much like Omega X’s Stand Up from earlier this summer, WEi’s new single Maldives reinvents the group as summertime beach boys. I’m not sure why it takes a Japanese release to dabble in this fun, upbeat sound, but I’m glad to hear the guys let down their guard and deliver something fresh and bubbly. Maldives … Continue reading
Maybe these Universe reviews are getting a little cliché. Maybe I’ve run out of ideas to make them fun and interactive. Maybe Maybe is just too unassuming to inspire a dynamic game or spoof. Maybe if the app gave us access to the full music video, I’d feel different? Maybe Jo Yuri is actually suited … Continue reading
It’s ‘Golden Child comeback’ time again, which means a track-by-track review of their new mini album, Aura! Check back each day of the week as I make my way through the five new songs. 1. Aura (Intro) // 2. Replay // 3. Knocking On My Door // 4. 3! 6! 5! // 5. Purpose // … Continue reading
Late last week, Johnny’s groups SixTONES and Snow Man both surprise-released new music videos on YouTube, fueling rumors they may reunite for another duel-group single. It turns out that Snow Man’s Juicy heralds the release of a new studio album. We’ll need to wait to see where SixTONES’ Party People ends up. Both of these … Continue reading
It’s ‘Golden Child comeback’ time again, which means a track-by-track review of their new mini album, Aura! Check back each day of the week as I make my way through the five new songs. 1. Aura (Intro) // 2. Replay // 3. Knocking On My Door // 4. 3! 6! 5! // 5. Purpose // … Continue reading
The Bias List // K-Pop Reviews & Discussion 